THE IMPORTANCE OF SPEECH IN BAKHSHI
Keywords:
Bakshi, qobiz, dombra, gijjak, bolama, poet, epics, performanceAbstract
An artist who sings, recites, and transmits songs and epics from generation to generation. The word bakhshi is sometimes used in the sense of shaman. While performing Bakhshi mainly sing the epics they learned from their teacher exactly with minor changes, creative Bakhshi create their own versions of epics based on the oral epic tradition, and even create new epics based on them. Such Bakhshi are also called poets. For example, Ergash poet, Fazil poet, Polkan poet, Abdullah poet, Khidir poet and other Bakhshi sing epics and songs to the accompaniment of instruments such as the qobiz, dombi-ra, and dutar. The Khorezm Bakhshi perform epics mainly with the dutar, and partly with the tor, accompanied by singers on the gijjak and bolamo. Strict rules and regulations were observed in singing epics and training disciples (see also Epics);
References
1. O.Sobirov. “Zebo with his writings”. Doston. T.: “Young Guard”, 1978.
2. Tursunov S.N, Pardaev T.R, Tursunova N.M, Murtazoev B. “History of the formation and development of the art of bakhshi in Uzbekistan”. “Science and Technology” 2014. p. 41
3. Sultanov, A., & Abdisattorov, A. (2022). THE ROLE AND SIGNIFICANCE OF THE ART OF DANCE IN THE DEVELOPMENT OF MUSIC SCIENCE IN CENTRAL ASIA. Oriental renaissance: Innovative, educational, natural and social sciences, 2 (10-2), 478-483.
4. Sultanov, A. (2022). EFFECTIVENESS OF INNOVATIVE TECHNOLOGIES IN FORMING TRANSFORMATIONAL TRENDS AFFECTING MUSIC PERCEPTION. Oriental renaissance: Innovative, educational, natural and social sciences, 2 (10-2), 314-323.
5. Sultanov Akmaljon Normuhammatovich (2022). EFFECTIVENESS OF THE USE OF PEDAGOGICAL TECHNOLOGIES IN FORMING NATIONAL MUSIC HEARING ABILITY IN STUDENTS. Science and innovation, 1 (B2), 259-263. doi: 10.5281/zenodo.6614904
6. Kyrgizov, I., & Sultonov, A. (2019). School repertoire: an innovative approach to music education. Fergana.
7. A. Sultonov. (2023). THE IMPORTANCE OF DEVELOPING STUDENTS' TENDENCIES INFLUENCING MUSIC PERCEPTION IN THE CONDITIONS OF INNOVATIVE EDUCATION. American Journal of Humanities and Social Sciences, 11, 232-237. Retrieved https://www.americanjournal.org/index.php/ajrhss/article/view/746
8. Shakirov, T. N. (2022). SUCCESSION IS THE MAIN PRINCIPLE OF DEVELOPMENT OF NATIONAL MUSIC CULTURE. Oriental Journal of Social Sciences, 2(06), 1-10.
9. Shokirov, T. N. (2022). ABU NASR FORABI'S SCIENCE OF MUSIC
CONTRIBUTION Oriental renaissance: Innovative, educational, natural and social sciences, 2(10-2), 353-359.
10. Kirgizov, I., Kirgizov, I., Najmetdinova, M., & Atabayeva, S. (2022, February). THE GENESIS OF THE DEVELOPMENT OF MUSIC CULTURE. In Archive of Conferences (pp. 57-60).
11. Kirgizov, I., Imyaminovich, K. I., Nurmuhammedzhanov, A., Sotvoldievich, S. B., Mamasodikovna, N. M., & Juraevna, A. S. (2021). The Pleasure of Singing, Listening and Understanding Navoi. Annals of the Romanian Society for Cell Biology, 2410-2413.